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IT’S 110 F IN TUCSON, ARIZONA

The Hawks are adjusting to road life. The heat helps. It breaks you down quickly, stripping away the comforts of home in a fierce but merciful way.

The trip began as the Hawks gathered in Highland Park on the morning of the last day of May. With all the equipment spread out there in the driveway, it seemed we would have to jettison some precious gear to make it all fit. Boxes of Cds, instruments and amplifiers, books and magazines, posters and t-shirts and suitcases. As each band member pondered a personal sacrifice, lead singer and West Coast Pack Champion RW started doing the math in his head, assembling a three dimensional Tetris game of gear and bags. Miraculously, everything fit and we steamed out of Los Angeles around midday. We filled the Yukon with $75 of liquid gold (it still wasn’t full) and aimed east for (eventually) the green hills of Vermont. We will be traveling east until some point in mid-July when we turn and begin racing back towards the Pacific. The desert. We’re back. We’ll always be back.

mojave 1st day.jpgWe crossed the Colorado River on the big bridge, honked the horn, first of nine state border honks we’ll honk on this first leg of our tour. It’s blazing hot out there. Paul L remembers swimming in the river as a wee desert rat, with all the other rancher and bracero famlies, everyone staying close to shore because the current in the middle is fast and there was always the latest drowning to murmur about.

Traffic was surprisingly light all the way to Phoenix. Paul L inspired a Led Zeppelin marathon by thrilling us with tales from “Hammer of the Gods,” the Zep-biography he’s been unable to put down for the last few weeks. And I must admit, a strong case was made that the lyrics for “Stairway” are in fact meaningful and wise, not silly. Mid-Way through Zeppelin II we hit rush hour Phoenix traffic and had to switch it off. You simply can’t soar like a dirigible in desert grid-lock. After suffering through the worst of it we finally reached our exit, the 48th Street, Hampton Inn booked lovingly by PM’s wife Colleen. Not only can Colleen get the sweet deals, they seem to love her so much that they upgraded our rooms to suites for free. Rarely have the Hawks had the good fortune to stretch out in such fine lodgings at such reasonable rates.

After unloading the gear we headed to Recommended Food Stop One. Our fine friend Randall suggested a legendary hamburger joint he’d frequented in his undergraduate days in Tempe. Would it still be there? Would we like it? The Chuckbox was hidden behind a large Caterpillar Tractor working the summer shift replacing water pipes beneath University Blvd but it couldn’t hide from us. The Hawks were becoming belligerent from heat and hunger. The place was pretty empty. We walked to the front of the line and ordered. Raw meat hit flame grill and I knew everything would soon be OK. Randall had come through for us. Big delicious burgers. High quality onion rings. Ice cold beer served in mason jars, just like Randall told us. Nice work, Randy!

Satisfied, we headed towards the Yucca Tap Room, a small music friendly bar located in an old strip mall near the college. Older strip malls have developed a kind of nostalgia and architectural credibility somehow in the last few years for me. Call me crazy, but I’m really starting to appreciate a decaying strip mall. There’s something romantic in them. Perhaps what I like is that they are now crumbling. This too shall pass. A startling discovery as we u-turned our way towards the Tap Room: a drive through liquor store. Choosing the walk in option, we were further dazzled by the complex and sophisticated selection of tequilas and single malt scotches in the densely packed little liqueria. Oban 16 year old being $65, we turned to domestic bourbons and took a chance on Bulleit, because we liked the shape of the label. The $8 bottle turned out to be a boon companion, smooth and subtle.

Our friend Dave Insley hosts a weekly Yucca Tap Room show, and he was setting up his acoustic duo as we pulled into the parking lot and hauled in some of our gear. Tony Gilkyson and Kip Boardman, our tour mates across this great and vast land, arrived at the same time, and we exchanged hearty greetings. Dave and his name-to-be-recalled lead guitarist did some fine harmony singing, with a family portrait song of Dave’s called “Geneva’s Gonna Leave Ya” being a high point.Tony, Kip, and our own Nourseman Shawn hit the stage in a reuniting of the Old Yellers, a seminal L.A. roots rock unit, and they sounded great, a hard hitting power trio fueled by Tony’s always scary guitar and great vocal harmony parts with Kip. Tony’s fronting this combo, singing songs from his new and soulful “Goodbye Guitar” CD.

On the last song, a barn burner moved further down the line by Shawn’s signature train on the tracks beat, the club suddenly emptied out through the back door, the bar crowd responding instinctually to unseen trouble. Out in the parking lot, Dave’s wife Brenda had passed out and fallen, fracturing her skull (send your good thoughts to Dave and his wife lonesome@daveinsley.com if you know them). Dave took off in the ambulance with his wife. The Hawks considered packing it in, but then decided to play, and did an off the wall and cuff set with Tony sitting in on some tunes. We’re glad we played, it felt good to release songs into the Arizona atmosphere, and we wish Brenda a speedy recovery.

The next day the Hawks all managed to get up in time for the free continental breakfast, which is unprecedented. Shawn and Rob, the late risers of the band, are new fathers, with the new found skill of getting up after not enough sleep.It’s quite hot in early June in the Sonora desert, 110 to be exact as we re-loaded the Yukon in the near blazing parking lot. We drove off the beaten path to visit a nearby Yaqui reservation town, and it was mystical indeed: little adobe and old wood frame houses with stone and mortar shrines to the Virgin, dry branch lean-to type awnings over front doors, and an ancient colonial church with a vast white dirt parking lot with NO PHOTOS ALLOWED signs. Holy ground.

South to Tucson, a saguaro and rock outcropping lined journey. Many new offramp clusters of civilization have robbed the road of its harsh beauty—it doesn’t take too many prefab buildings and big plastic signs to obliterate the vibe—but the horizons are stark and menacing as ever, if you fix your gaze upon them.Two hours later and we’re in Tucson. Hotel Congress is an enlightened updating of a classic old Southwest institution, host to the swells and Hollywood stars of the teens, twenties and thirties, when Tucson was an outpost of irrigated farms and not much else.
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There’s a bar, a café with 4 out of 5 Hawks rated food, and creaking upstairs hallways with comfy, no-TV no AC rooms. We checked in, dumped the gear in the dark and elegant concert room, and headed to KXCI radio, housed in a great old rooming house a few blocks away. Tucson’s got everything you need within a few blocks. KXCI Programming Manager Duncan set up the mics with confidence and speed and engineered the session. Kristi, the Home Stretch drivetime DJ came in and ran the show with professionalism and kindness.

We play three acoustic songs, Kristi runs a brief and efficient interview, and it’s time to head back to the Congress for sound check. On the way, the Yukon threatens to overheat as the AC blows hot air. Damn, car trouble this early? Duncan provides a hookup to his trusted Tucson mechanic and schedule an appointment for 8 AM. The Congress show sounded good and the small but wiry audience was enthusiastic and appreciative. We even got a request for “Byrd From West Virginia” which we played with as much rock majesty as we could muster.

The night is both long and short. Our rooms are located directly above the hotel disco and the bass thumps loud enough to rattle the hundred year old plumbing. The building is apparently tuned to B flat an octave below middle C, and this note knocks things off the mantle. But the Hawks are tired and hardened to loud noises and drift off to sleep despite the racket. RW and PM raise the dead (themselves) before eight to get the Yukon to its appointment. The day unfolds an hour at a time. The temperature rises, then falls as welcome clouds roll in. cloud congress.jpg

The train roars past. Thunder rumbles, and the rain is falling. Where does it come from? Dry as a bone endless blue skies somehow conjure clouds. The seductive scent of rain on sidewalk wafts under the back door of the Congress as we await Rob returning with the repaired Yukon. Paul M and Paul L play “Ghost Riders In The Sky” as raindrops spatter the sidewalk outside the back stage door.Rob’s back. Load up, thank the Congress folks for putting up with our all day loiter, and we’re rolling east on the 10, sawtooth peaks and misted mountains and rainshadows making the way mellow.

Actual conversation in the Yukon:Paul L: Hey, Rob, are tapirs kind of like pigs?
Rob: I don’t know. I think it’s okay as long as they get permission.
I’m hoping the guy in Tucson can burn us a CD.

THE EXQUISITE INTERMINABLE FRENCH LUNCH

The Hawks just finished recording a new record with Eddy Mitchell , probably the most well known country singer in France. He has done about 30 CDs with every famous American country musician:
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Eddy avec Le Monde, preparing for vocal session

The Hawks recorded 6 songs as Eddy’s backup band May 6-9, with Bernie Dressel on drums. We played guitars, steel, dobro, and did background vocals, helped with the arranging, and drank many, many bottles of wine at the three hour lunches the French are famous for (a tradition we desperately need over here). A gleaming high tech espresso machine was there from the first morning, producing a crema only an expert barista could hope to match.

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The sessions went just great. Philippe Rault, Eddy Mitchell’s longtime producer, who arrived in American during the summer of love ’67 and has lived an enviable dual Paris/L.A. life ever since, was trop cool, betraying only a hint of irony at those moments of doubt and pain every recording presents. When the producer and artist are lingering over trout and a last bottle of wine on the patio, you know everything’s going to be all right. We Hawks felt a real wistfulness over an imagined older and wiser Euro approach to doing things. Many a last joke before rising from the table, and many a cigarette and whiskey as tape rolled.
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le producer

Gabe Witcher, who’s in Jerry Douglas’s band, came in and did some blazing fiddle, and also doing some great playing was Bob Dylan’s old guitarist/fiddler Freddy Koella. It was great fun.freddk.jpg
Freddy et le whiskey

The other half of the album will feature members of Jackshit, which includes Pete Thomas, Elvis Costello and Los Lobos’s drummer, should be a pretty great record.It’ll be released on Polydor Europe, and a DVD of the sessions will be included. A crazy Frenchman with a high definition camera followed our every move.

On Monday a three way vocal with Eddy Mitchell, Little Richard, and Johnny Halladay is rumored to be happening.

NEW HAWKS CD “CALIFORNIA COUNTRY” AVAILABLE HERE NOW!

Greetings, fans, friends, and radio listeners!

Our brand new CD “California Country” is officially out MAY 9, but “California Country” is available now on this website for friends and fans. Be the first one on your block to have you own legitimate copy of the Hawks’ brand new record.Order the CD
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The Hawks
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I SEE HAWKS SELL OUT FOR BEER

A few weeks ago, I See Hawks in L.A. filmed their first beer commercial. In a strange twist of fate, the band signed on to appear in a San Miguel Beer commercial for the Spanish market. Cast as a burnt-out cowboy band, the Hawks play for a roomfull of bored line dancers. Then the beer arrives, the Spanish disco music kicks in, everyone chants “Hey!” and goes crazy. Rob fires two pistols in the air and whispers ‘Paquito’ to Brantley for no known reason. Yes, these are strange times we’re living in.

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See this commercial
The video uses Quicktime. If you experice any problems, make sure you have the Quicktime plug-in from Apple.com/quicktime.

THE PONTIAC MONTANA RECONSIDERED, A DIGRESSION; EXIT FROM SXSW

March 17

We lavished hasty praise indeed on the Pontiac Montana mini-van–it’s time for a retraction.This little beast makes a good impression on those (us) easily awed by bells and whistles, but it’s really the typical junk made by a culture out of ideas and purpose. Like the modern action film that exists to dazzle, this vehicle is a rolling sensory overload–and too smart for its audience. Lights go on and off, many options for locking and unlocking the vehicle clamor for your attention, chimes sound for no apparent reason once you’re driving. The owner’s manual (do people buy this beast or are rent-a-car drivers the only victims?) must be thicker than a Microsoft for Dummies. And a major class action injury lawsuit is in the making for Pontiac, which might drive the company to its merciful end: it’s possible to sever a finger in the rear hatch handle, and a scientific test confirmed that the motorized side door will crush a 400 page Vanity Fair magazine, happily oblivious to any obstacle in its path. Good luck, Detroit.

But we digress. Our last day in Austin during the days of SXSW was a fine one, with kind rain from gray firmament. We drove into Austin in the morning, a beautiful drive through hill country from the Klines in Dripping Springs-adjacent. We found 6th Street right where we left it in downtown Austin, arrived at B.D. Rileys, parked illegally, hugfest reunion with our pal Jonny Fargo, host of the pub’s afternoon shows. More hugs for the Bellyachers, San Francisco’s finest, and sweethearts they are.B.D. Rileys is in the midst of 6th Street madness, and badge and non-badge wearing revelers pass under its open window all day. It’s happening. Rick Shea joined us on the packed and tiny stage, another well received Hawks show. Jonny and the waitresses most kindly plied us with food and drink as we watched a modest building to devastating show from Stinson/Gilkyson/Weeks, as the crowd went wild, and Hawks were dragged into two step dancing by very drunk Houstonian divorcees. We met Chris Morris, who was in ecstasy over his boys onstage.

We lingered into late afternoon, then borrowed Stinson’s drums yet again and drove off to Opal Divines on Congress, where we parked the ill-fated Pontiac and fell asleep in the parking lot. We awoke to brooding clouds over sunset on the distant hills, and set up on the Opal Divine outdoor stage. Soundman Stony knows what he’s doing (he and Paul L. reminisced about a Burning Spear tour they were both on in the early 90s, Paul in the Bonedaddys, Stony doing sound for Spear, both touched by Jah divinity from the great and dreadlocked prophet). The Hawks sounded great, crisp clear sound, once again Rick Shea giving us the stadium touch.We used up our $100 bar tab on single malt scotches, including a quaffing of a 1978 Ardbeg that was a bit religious, watched our country rock mates Stinson/Weeks/Gilkyson for the fourth time, liked it even more. We were spent. We vanished into the night and the hills of Hill Country.

Next day was interesting, interesting indeed. We bade farewell to the gracious Klines, left Dripping Springs for the Interstate back to Houston airport. We utilized the Pontiac’s one redeeming feature, the DVD player, and listened to or watched Richard Linklater’s Waking Life (front seats/back seats), which is an enlightening soundtrack for a drive across Texas. We became part of the film, and the world became Waking Life, as the cinema hero tried to escape his dream that we were now a part of. Waking Life is a powerful movie. We stopped at Waffle House just as we were despairing of encountering this taste sensation on this Texas odyssey; ordered everything covered, scrambled and smothered. Supercharged and complete, we floated out into the parking lot, fired up the Pontiac, back onto the highway to Houston.
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Official Sponsor of Hawks Downfall

Paul L was driving, and uncharacteristically fast, and in vain. We were late for our plane out of Houston. We dumped the Pontiac at the remote rent-a-car lot and grabbed a shuttle into the airport, missed several mini-train connections, and stood in a massive line as our departure time loomed 20 minutes away on the airport clock. This is how optimistic Paul M is: “Call me an optimist, but I think we’re going to make our flight.” An hour later, we were struggling to make a second flight, but we made it, arriving in L.A. a mere two hours later than planned.

At this point Shawn has done about 12 shows in 4 days. He’s superhuman. He could drum a hole in a steel plate if he had to. shawn.jpg

Somewhere between Houston and L.A. a Continental Airlines baggage handler and defender of America removed the “Impeach Bush” bumper sticker from Paul L’s guitar case. Paul was mortified, as only Paul can be, asked a flight attendant about how to register a complaint. She began chanting “Bush! Bush! Bush!” Sleep-deprived Paul, surrounded by blank stares from the Continental flight crew, beat a hasty retreat up the ramp. We are not making this up. Meanwhile, a defender of America TSA baggage inspector stole a “Kinky Friedman for Governor” sticker out of Paul L’s pedalboard case, putting a tiny TSA sticker on pedalboard case as a trade of some sort. We didn’t realize Kinky was an enemy of the state. The next day Paul L pulled into a Catholic girl’s high school parking lot in Alhambra to do a noon assembly show with his acoustic band Goin’ South (with Rick Shea and Cody Bryant). The security guard spotted the “Impeach Bush” sticker on Paul L’s car and walked up Paul as he got out of his car. “You don’t like Bush?” the guard asked.

Paul, still sleep deprived, made a vow to remove all political content from his possessions. “No, I don’t,” he warily replied.”Good!” said the security guard. “He’s ruining the country!”
Relief at last. Paul was feeling proud of his Angeleno homeland. A good place to enjoy the decline of empire.

HOSTED AND HOISTED

March 17, Dripping Springs to Austin

Meet Geoff Cline and his lovely and genius wife Sally. They are our hosts in the hill country, with an ultra modern eco house on a bluff over the Pedernales river an hour southwest of Austin in the rolling juniper and oak cattle ranch country. After our first night in town, Geoff leads us on dark highways through and past Dripping springs, down 2 lane semi-paved and dirt roads across flash flood channels, past the 1971 site of Willie Nelson’s first 28,000 strong hippie Picnic, as bunnies and herds of deer flee our headlights into the brush. A final left on Rabbit Run and Turkey, and we reach the compound.Geoff and Sally show us around the house, designed from scratch by Sally, who also made the iron beam front gate, all the fixtures, much of the textile work, and laid all the tile. She also has an advanced political science degree in Nuclear Strategy and was courted by the NSA. Geoff is a slacker underachiever by comparison, a singer/songwriter guitarist who was chief counsel for Patagonia for eight years (before launching Sovereign Records, who financed the Hawks new CD before entering financial limbo). Where do these people find the time?

The Cline house is three stories of intriguing irregularly angled rooms, has a rainwater system for collecting drinking water, will have solar panels, and has many cozy areas for viewing Lance Armstrong’s distant mansion carved ostentatiously into the trees, or contemplating the undisturbed river bluffs below. Sally may have gone too far when she placed a 25 foot high bookshelf shaft in the middle of the house, accessible only by a mechanical hoists that lifts the seeker of knowledge in a harness to the dizzying heights of the library shaft. Next morning we woke in our usual order (Paul M, Paul L, last two not named for privacy reasons), had a Cline breakfast, and checked out the nearby pointing tree, shaped by Indians so that it points out to the river below.

pointing tree dripping springs.jpg The Hawks wandered down the bluff with Geoff to the Pedernales, an ever changing flow now at low ebb from a long drought, with twigs in the trees 15 feet above showing the high water mark. It was easy to imagine cowboys chasing stray calves out of the river sand, and Indians hunting antelopes.

After much wandering through the brush, it was somehow time to head into Austin for our next show. We hit heavy traffic and badge wearing revelers on 6th Street arrived just in time, of course, under brooding late afternoon skies, at Opal Divine’s Treehouse, where an official SXSW Irish band played at one side, Kinky Friedman for Governor tables sat in the middle, and unofficial country rock entertained on the street side patio. This was full immersion in SXSW hoopla. We set up on the patio, greeting our publicist and bon vivant Susan Clary, and our record promotion man David Avery from Powderfinger. Now this is the way to do biz, with everyone lubricated on Shiner Beer and who knows what else. Our good pal Rick Shea played guitar with us and bumped up our sound to the stadium country rock we so crave for outdoor shows. (Paul L and Rick look like stereo images on stage, left and right handed battered telecasters or Martin D-18’s and long gray hair. We didn’t plan this.) The crowd gathered from the teeming masses on 6th street below, and we had a real good time.

Shawn and Rick Shea dashed off with Paul M and Rob and Paul L had burritos on the river with L.A. friends Doran and Cisco and friends, then drove off to the funkiest honky tonk we’d ever seen, Jenny’s Little Longhorn, on a street so ugly it could have been West L.A. Inside James Intveld had put together a honky tonk super group, with Rick Shea, Shawn, and a rock solid superfunky bass player and virtuoso steel player. This was a new level for James’s music, as good a country unit as ever played. No exaggeration. The crowd, which included some serious country swing dancers, was transfixed for 2 hours. James did his effortless crooning and introduced all waitresses by name. This is what music used to be all about, and occasionally still is: making people feel good.

How did we get home to Chez Cline, down highways and biways into the dark hills? That is a bit of a mystery, but we did. It was not long before Texas dawn, which we missed.

Southwest of SouthBySouthwest

March 16, Houston to Austin

The Hawks do not like to arrive hours before any event. We like to pull up to the club, heave the amps and drums out of the car, and rush on stage. This eliminates time for making set lists (although it might be possible to concoct one on a three hour interstate drive–naah) and boosts us into a floating free form state, and inner voices tell us which song to play next.Such was the case on this cloudy Thursday in the great state of Texas. Rousing ourselves around 10 a.m. from the comfort of the Comfort Inn on Katy Highway in outer Houston (it’s all outer), we piled in the Pontiac Montana (more about that later) and drove the fairly crowded I-10 west to Highway 71, northwest through eccentrically (eccentricly?) littered scrub and pasture land. Littered with strange buildings, unmotivated stone walls, mysterious abandoned ranches. The junk of Texas is filled with voodoo, unlike California’s junk, which is so clearly money driven.

There is almost no food on this stretch of highway. We were holding out for a Waffle House, feeling utterly confident in this quick and tasty stop. Nope. For hours we drove, past La Grange and less storied towns lurking somewhere behind the listless woods. Hunger set in, and despair, and dark thoughts. We settled for a uniquely Texan brand of mediocre diner all day breakfast, served by a waitress with piercing and accusatory pale blue eyes and a heart of gold.Adequately nourished, we arrived in Austin with not a moment to spare. A false move on the SXSW clogged streets and we’d miss our 1 p.m. Sin City Social Club slot. We pulled into the dirt lot mellow anarchy of Maria’s Taco Express, changed into our country rock duds, jumped on the outdoor wood stage, acquainted ourselves with strange gear (Traynor amp, not a bad Fender imitation!) and did a 20 minute set, which was very well received, much whooping and hollering, and we felt right at home.

Shilah and Bryson did a great funky job, great vibes were in the dusty air, and these are the best tacos the Hawks have collectively sampled. Maria’s Taco Xpress on South Lamar, you got to go.ElizaGilkysonTony.jpg
Paul L and 2/3 of the Gilkysons

L.A. country rock supergroup Mike Stinson/Tony Gilkyson/Randy Weeks took the stage and knocked the crowd flat, first of four shows we’d do with our SoCal brethren. We got to meet WM Smith, writer for the Houston Press and our patron saint for this trip, hung with our L.A. compatriots and new friends for too long, borrowed all of Mike Stinson’s band gear (he and Tony drove out, now that’s a man), then raced to the Hole In The Wall across town, where they must be used to our last minute appearance by now.After a bright eyed revival of roots country by a young band whose name will be recalled eventually, we did a short set for the SXSWers and our local friends Steve and Dana, who are off for San Antonio and Amsterdam respectively, then raced out into the night to return Mike Stinson’s gear for his late night show in a coffee house that looks to be carved out of deep hill country woods. Of course it was night.

We bade farewell to Tony, Randy, and Mike, and drove through the night, south west, to a little piece of paradise on the Pedernales River.

HOUSTON, WE HAVE A PROBLEM

ISHILA is in Houston for the first time. The city is gray. A smooth and uneventful plane flight (Paul L prevents crashes by purchasing Vanity Fair at the airport, a ritual that’s worked for years), unsettling but ultimately useful directions from Mapquest through empty freeways and vast wild urban green space, and we’ve arrived at our Interstate-side Comfort Inn. The motel faces the I-10. Behind us is a major railway line. The noises cancel each other out. The airconditioner is broken, which might not be that bad. If it was was August we’d be dead.

Show details: We saw more of the Katy access road than we’d cared to as we looked for a 10 East entrance, passing a huge Bud Light factory and an odd assortment of tiny old woodframe houses, high grass filled empty lots with fugitive cats, and warehouses that have got a good jump on decay and collapse. Houston’s got soul. There’s no zoning here—you can build anything next to anything else. The results are not pretty, but it makes for fascinating wandering if you’re lost. But Paul Marshall’s solid navigator skills (as opposed to Paul L’s more flashy but erratic style) got us to Sig’s Lagoon, a very hip little record store right on Main Street somewhere in the shadows of the proud Houston skyline. Main Street boasts more laissez faire urban decay, but also a super modern rail car passing often on the center rails.

The Sig’s folks are kind to the point of confusion for the L.A. thrashed Hawks. Thomas offers us a Shiner beer as soon as we walk in the door, and we meet some fascinating Houstonians as we wait for the masses to arrive for our instore concert: a Houston attorney whose five years in Marin County, CA were a respite in paradise, who describes how pumping water into declining oil wells is a huge re-boom for Houston, but that the oily water that floats into the aquifer might not be such a good thing for future generations; a British geologist here for the re-boom; and Eva, a country rock aficionado and movie costumer we knew in L.A. now carving out the good life in Houston with her very hip husband and kids.The masses hit the critical mass of about 15, and we did a short acoustic set, very warm response from our new friends, and we headed next door to the Continental Club while the ultra kind (and lead singer, in about three cool sounding bands) Thomas got us some big league spring rolls from Mai’s Vietnamese restaurant around the corner.

The Continental Club is sprawling, old, dimly lit, and serious. You know good music is played here all the time. The Wednesday night house band fronted by Miss Leslie in chffon dress was a country classic, solid musicians and a quirky virtuoso pedal steel player.We used the house gear, which was a fine bass rig and a 1969 Fender Super Reverb, minus the Reverb but a punchy and ringing guitar sound. We played a regular type set, but to our pleasant surprise the crowd was really enthused—A Dog Can Break Your Heart Too was a big favorite–and we played about six more songs, hung out with the fans afterwards and continued rounds of Jim Beam with owner and life enthusiast Trey. We’re off to a damn good start in Texas. We rolled out of the Continental Club around 1:30 a.m., satisfied, and hungry.

Mai’s Vietnamese food saved our ass. Vermicelli with grilled pork and egg roll. Wonton soup. Jasmine tea. Tofu and Snow Pea Leaf. Chicken, chicken, chicken. Open until 4 am. Busty strippers in low cut shirts hugging Armenian boyfriends over hot noodle soups. .

PONTIAC

You know, you can read newspapers and listen to NPR and you get a picture of the world, but it’s always busted by a venture out of your regular surroundings. Take Pontiac: the American car industry is in freefall, with products that are outdated and made much better by Japan. That comfy view is given the lie by our rental van, a Pontiac Montana, with smart doors that close at a nudge, and a DVD with rear seat TV screen. This beast is a beauty of modest design and function. We purchased a DVD of Richard Linklater’s “Waking Life” at Sig’s and watched some of it in the Continental Club parking lot, gentle late night moist air wafting through our open doors, as we signed a few CDs. This is modern life, made right here in America, or at least partially assembled here. We are modern, global, and on top of our game. Let’s enjoy these moments.

Golf Is Too Darn Slow For Buzzy Krongard, Princeton Class of ’58 — Bankers Trust’s former vice-chairman joins the CIA

Friends of Hawks, here’s a fascinating profile of a fascinating man in a fascinating historical period of a fascinating system of government and business:

A.B. “Buzzy” Krongard ’58 once punched a great white shark in the head on a bet. He practices lethal martial arts with an intensity that is frightening. And the only guns he collects are ones he can use. Buzzy_K.gif

So when the Bankers Trust New York vice-chairman announced earlier this year that he was retiring after 27 years as an investment banker, nobody expected him to pass his golden years strolling the fairways. Golf is “just too darn slow,” he growls. Instead, at 61, Krongard signed on with the company — the CIA. That’s right. The Central Intelligence Agency. Spooks. Classified briefings. Krongard has left behind high finance to jet around the world clandestinely as counselor to CIA Director George Tenet. The CIA created the job for him.

Colleagues and family say they’re not surprised Krongard chose a second career in the perilous world of international espionage. He’s a former Marine with an outspoken nogutsnoglory persona that made him stand out among the reserved, grayflanneled ranks of investment bankers. Some intelligence experts say Krongard might be just what the CIA needs now. He earned a reputation for being brutally honest while building Baltimore brokerage Alex. Brown into a respected Wall Street player before Bankers Trust bought it in 1997.

“It’s going to be a breath of fresh air out at Langley. Buzzy is certainly sympathetic to the mission of the agency, but isn’t at all hesitant to speak out about problems,” says R. James Woolsey, the CIA director from 1993 to 1995. Critics say the CIA has lost its analytical depth — it failed to foresee India’s nuclear tests last May, for instance — and is in need of a major overhaul. “It’s not a one-to-one translation from Wall Street to the intelligence community. But unlike an agency insider, Buzzy will be able to use his principles of management to help improve the agency,” Woolsey says.

What does Krongard say he can offer? “My main job is to be helpful. I’ll pick up towels in the men’s room if they want,” he says. “What I will be doing is assist in strategic matters. Many Wall Street analysts do things and collect information in ways not dissimilar to what we do here. The only difference is methodology.” Krongard is a larger-than-life character whose words often beg to be accompanied by the Marine anthem. Friends say he exudes a stormthebeach brand of patriotism.

“I’m not sure this second career has anything to do with patriotism. It’s self-interest,” Krongard says. “Who offers opportunity and freedom the way the United States does? It’s incumbent upon me to preserve the preeminence of the United States. For evil to prevail is for good men to do nothing.” Krongard’s second career was born over a lunch late last year with his old friend Tenet, who raised the possibility that Krongard come work for the CIA. “I can’t think of another job that would have tempted me,” says Krongard, who started his new job in February.

Krongard’s business experience began 36 years ago when he went to work for his father-inlaw’s label and patch company in Baltimore after a threeyear stint in the Marines. He got hooked on the art — and adrenaline — of dealmaking when negotiating the sale of the company. He knew finance was for him. In 1971, he joined what was then called Alex. Brown & Sons as a finance associate. Under Krongard’s leadership as CEO at Alex. Brown, the firm was transformed from a regional brokerage into a Wall Street force, all the while remaining headquartered in Krongard’s native Baltimore. Between 1992 and 1996, the firm’s revenue grew from $445 million to more than $1 billion. The firm also became a leader in underwriting initial public offerings, a lucrative business that made Alex. Brown an attractive target for Bankers Trust. The bank bought the firm for $1.7 billion last year, and the deal left Krongard with $71 million in Bankers Trust stock. In his last year at the firm, Krongard made $4 million in salary and bonus. But Krongard dismisses the whopping pay cut he’s taken to work at the CIA — he makes about $120,000 a year — as insignificant. “The psychic income is infinite,” Krongard says. “Besides, how much money is enough?”

Krongard likes honing his marksmanship with his favorite 9mm Glock or SIG-Saurer handguns at the firing range on his 93acre estate near Baltimore. But he also enjoys intellectual pursuits. He can carry on for hours about his favorite philosophers — Socrates, Spinoza, and Hume — or about his favorite paintings in the Louvre. And if Krongard is as driven in his new job as he is about his physical fitness, the spy world had better watch out. Consider this recent demonstration: Krongard, in the basement gym of his Baltimore home, asks me to punch him in the gut. After some trepidation, I land a right jab squarely on Krongard’s taut abs. “Come on now,” Krongard shouts. “Is that all you got?” I swing again. And again. “Geez, is that all you got? I mean really hit me.” I deliver one last punch, this time with a wind-up. A grimace doesn’t even cross Krongard’s face. “Boy, you don’t hit very hard, do you?” Disappointed, Krongard returns to practicing moves on a rubber dummy.

— Tom Lowry Copyright 1998, USA TODAY. Reprinted with permission.
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